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Since its debut as a photocopied fanzine
handed out at a punk show in 1985, AP has been the publication where the honest word, the correct word, the authoritative word has been spoken on new music and youth culture.
Features, articles, and more from
this issue.
Features, articles, and more from this issue:
In REVIEWS:
Lost and found.
Something more than the freak of the week.
Cave In frontman writes the soundtrack for a ghost town.
Strings ’n’ things equal indie bliss.
Can’t slow down.
Brooklyn’s most overlooked act gets its motor running.
Trippy times three.
Is quiet still the new loud?
A modest solo foray from Rilo Kiley’s bassist.
How much musclehead metalcore do you need?
Rebirth certificate.
The mother of all Norma Jean records.
A mouthier architect cometh.
Heavy-duty hardcore.
A revolution for the summer.
Enter the Twilight zone.
Bring the ruckus-and the noise.
All over the map with mixed results but good guitars.
Not nearly as ska as people say.
Catchy as that one song on that one commercial...
To serve in heaven or reign in lame...
Cut the cord.
A commendable improvement.
Do the evolution.
Endure the covers.
On returning, a touching display.
The “Canadian Ramones” enlist, um, a Ramone.
Off the leash and the hook.
Longer, slower, loud-ish.
New singer, more experience, better songs.
The pop-punk delegation from Mexico have arrived.
In AP&R:
Woven
Vega Under Fire
Upon Beauty Rests
My Last Entry
Japanese Sunday
The Hanks
Good With Grenades
The Artist Life
In LOW PROFILES:
Tickle Me Pink
Stray From The Path
Foals
Breathe Carolina
In FEATURES:
Craig Owens: Microphone Psychology
Anthony Green: Beautiful Things Are Coming
Norma Jean: Surrender Yourself
Hawthorne Heights: Life On Stand By
In TEN ESSENTIAL:
Albums With Awful Artwork
In SCREENING:
Behind The Seen: Shane West