
Web Exclusive: Enter Shikari Tour Diary (Part 1)
Posted by Steven Robertshaw on 10-Dec-07 @ 11:19 AM|
U.K. invaders Enter Shikari have been tearing up the U.S., spreading their fabulous accents, uh, music, to the lucky masses. We're so stoked about the tour, we asked the band to keep track of their experiences--just for you! Enter Shikari - North America, Dec 07. A Tour Diary. Part 1 Thursday, Nov. 29: travel day Worrying sight greets us at the departure gate at London Heathrow. Firstly, it appears we'll be sharing the flight to Seattle with Aiden. Then there's a guy in a leather cowboy hat and a nun. Oh, and babies. People, we have all the makings of a disaster movie: Two rock bands, a nun, a flamboyantly dressed he-man type and a bunch of screaming rugrats. The odds on this plane never reaching its intended destination are high. As it goes though, the nine hours or so pass uneventfully aside from a little turbulence and our slightly odd flight attendant guy. As Aiden are sat quite near us, this dude assumes we're all together and starts cracking jokes about us all going to Seattle for a 'goth convention'. Which is all well and good, but does he aim these comments at the guys with eyeliner, neck tattoos and dyed black hair? No, its Rob who bears the brunt of it (yeah, Rob... in his pastel sportswear, tidy haircut and all 'round healthy glow. How very goth). Not content with this gaff, he then embarks upon a misguided attempt at male bonding by showering us with lewd comments about his female co-workers and their underwear. Weirdo. Anyway, eventually we get to Seattle and begin the long slow process of actually getting outside the airport. Immigration, baggage, customs (Gav got pulled in for anal probing. Or something), more baggage... until eventually we're greeted by our U.S. tour manager Jim The Spiz. We're staying in Seattle for this first night, so we head to the hotel (thanks to the crumbling American economy, our British money can get us something way nicer than we could afford at home, so the hotel's pretty nice), dump our stuff and hit the Cheescake Factory for stupid-sized portions of delicious food and then it's off to bed to prepare for tomorrow's early start. Friday, Nov. 30: show day; Portland, Satyricon We leave for Portland at 8 a.m. because despite it not being too far a drive, we've got a load of shit we have to deal with before the show (picking up merch and a bass amp--or so we think--and heading out to see the Truth Drum folks to get Rob's snare fixed). We get to the hotel and, of course, neither the merch or bass amp have turned up. Fed Ex can go fuck themselves. The woman on reception seems to be labouring under the misapprehension that we're Van Halen (who're playing in town the day after us). We don't bother correcting her. As we're in a state with no sales tax and a country in financial freefall, we take the only course of action available to us... Shopping. We descend upon the Apple store and pretty much strip it clean. Kneel before us, puny U.S. dollar! iPods pocketed, its time to head to the venue. Of course, we get there and as now become ritual on the first night of American tours, we spend most of soundcheck figuring out what important stuff we're missing from last time around (swear to God, somewhere out there, there's a big hole where all our transformers and power supplies disappear into at the end of each trip). We end up with pretty much no soundcheck (Gav has to stand in for Chris who goes off with The Spiz in search of electrical whatnots). Some of the merch eventually turns up, too. Todd from our US label turns up and takes us for food at some grill/bar place at the top of Portland's tallest building. It's like some Ally McBeal/Frasier type bar thing--all Friday night, post-work girls in strappy dresses and heels out for party and older dudes out to get lecherous. A pianist is belting out muzak maulings of 'the classics' (Ronan Keating, 'Sweet Child O' Mine') and the food and the view are pretty awesome. They also do a cocktail called a 'Champagne Supernova' which Rou feels he has to have (this is how we roll when its someone else's coin. If we're paying, its Subway and KFC all the way baby). Back to the club, and the opening band, Almost Is Nothing, have loaned us their bass cab (thanks guys). Some nice folks that we met last time we were in Portland have come out. It's nice to see friendly faces so far from home. As usual with first of the tour shows we kick start the set with the electronics not working, start again. After that all goes well with some lame but good effort stage diving from the locals, they seemed to be enjoying themselves as did we even though for us it was 7 in the morning. A couple of drinks before bed. Saturday, Dec. 1: showday; Vancouver, Plaza Snow starts to fall as we leave Portland and gets steadily heavier as we head north. Its looks beautiful and gives much opportunity for snowball fights at every stop we make, but turns an estimated three-hour drive into a nine-hour slog. We arrive at the venue pretty late and its all hands on deck for loading in and getting us a short soundcheck. It's a pretty nice big venue, but there are problems because not only are Alexisonfire playing across town and two local hardcore bands are both playing their last-ever shows, but also it's a 19+ venue, so attendance is a little sparse. So with some extra space to use all over the venue, Rou plays most of the show on the floor bringing back the old school memories of early floor shows back home. After the show, some of us head to a nice bar where we get a little trashed and then head to an Irish pub underneath the hotel where we watch weird guys try pick up some of the ugliest women in Vancouver. Sunday Dec. 2, showday; Seattle, Chop Suey It's still snowing when we leave Vancouver and gets steadily worse as we head south. We stop at some weird little Northern Exposure-type town on the way for some average stodgy food and to pick up a couple of DVDs for the journey at Crazy Mike's video store (we ask the girl behind the counter what makes Mike so crazy, but she's not even sure if he actually exists. Crazy). Despite roads like polished glass and visibility down to about 3 inches, we manage to arrive at the venue only a little bit late. Soundcheck goes smooth enough and we head over to a bar over the road for food and to do an interview for some website or other. Unfortunately this means we miss opening band War Paint, who play a 10 minute set and apparently manage to annoy/confuse most of the people in the room (which has to be a good thing, yeh?). Kane Hodder are up next, and turns out their lineup includes a couple of guys who's band played with us at Chop Suey back in May, too. Nice guys. (During our set, a girl who's hanging out with the Kane Hodder guys has an unfortunate 'accident' involving booze. It would be un-gentlemanly of us to elaborate on that, but suffice to say she'll more than likely never drink again as long as she lives). Rory's guitar packs in for a while mid-set, but other than that it all goes swimmingly and--hopefully--everyone goes home happy. We're back in the hotel by midnight and in bed not long after. How rock and roll of us. Monday, Dec. 3, travel day A glamourous day, this. In normal conditions, the drive from Seattle to San Francisco would take around 15 hours, so it's a good job we've got a day off to do most of it in. The thing is, today's conditions are far from normal. The Pacific Northwest has declared a state of "weather emergency." Half of Oregon is flooded (in fact, the interstate we're travelling on has a section closed literally 10 minutes after we pass through it. A rare case of luck being on our side, trees are blowing down and blocking roads and it's pandemonium on the coast. Luckily we avoid the worst of it, but it still makes for very slow going. Nothing to do for hour upon hour than to sit, try to sleep, talk rubbish, eat Junior Mints and watch DVDs (Poseidon and The Green Mile are OK. Epic Movie is terrible). On a stop at a roadside diner thing, the waitress asks us what we're doing in the area. We tell her we're in a band and are travelling to San Fran. She tells us we're living "the good life." If she thinks that sitting upright for 16 hours, sleeping intermittently and staring at rain on the windscreen is a good life, then we have nothing but pity for whatever domestic terror she has to endure. Still, we shouldn't complain. Not when there are all these boxes of Junior Mints to consume later in the day, we stop at another truck stop. In the Taco Bell we spot From First To Last stocking up on burritos... first Aiden, now them. Anyone would think we were making this shit up especially for Alternative Press, but every word of it is true. We eventually stop at a motel at 3 a.m. It's supposedly only three more hours now till we reach San Fran, so we'll do that in the morning... That's the plan, anyway. The way things are going, we'll probably get there at 10 p.m. |
Also in this issue:
- Web Exclusive: A conversation with Thrice's Dustin Kensrue
- Front Row Center: Fun Fun Fun Fest
- The List On AP: 7 Hibernation Songs For A Long Winter by Jennifer Grathwol
- Web Exclusive: A conversation with the Bronx's Matt Caughthran
- The List On AP: 9 Surprisingly Influential '90s Bands
- Front Row Center: The Fest 7
- Web Exclusive: Behind the scenes of Fall Out Boy's AP cover shoot [video]
- Front Row Center: Fall Out Boy
- Barack You Like A Hurricane
- Web Exclusive: A conversation with the Germs' Lorna Doom
- Front Row Center: Rock Band Live Tour photo contest winner
- 9 Songs For The Poll Line
- Web Exclusive: A conversation with Funeral For A Friend's Matt Davies
- The List On AP: Classic Rock For The Year 2022 by Jason Pettigrew
- Web Exclusive: Coheed And Cambria rehearsing for "Neverender" (video)
- Web Exclusive: A conversation with Crime In Stereo's Alex Dunne
- Front Row Center: Riot Fest
- The List on AP: 9 classic albums Jerry Finn left his mark with
- Front Row Center: Lisk Fest
- Keep A Breast Photo Exhibit
- Web Exclusive: A conversation with Dillinger Four's Erik Funk
- 5 DIY Anti-Fashion Guides
- Web Exclusive: A conversation with Senses Fail's Buddy Nielsen
- The List on AP: A Band For Every Day
- Web Exclusive: A conversation with Forgive Durden's Thomas Dutton
- The List: 8 Tracks To Update The Republican iPod As Posited By Editor In Chief Jason Pettigrew
- Web Exclusive: A conversation with Plain White T's' Tom Higgenson
- The List: The 10 Worst Album Titles of 2008 (So Far)
- Web Exclusive: Eyes Set To Kill music video world premiere
- Web Exclusive: A conversation with Chuck Ragan
- The List: Nine Random Songs From Music Editor Scott Heisel's iTunes Library and Why They Rule
- Web Exclusive: A conversation with Young Widows' Evan Patterson
- Web Exclusive: Portugal. The Man acoustic video
- The List: 8 Songs To Ruin Your Political Campaign
- Web Exclusive: A conversation with A Static Lullaby's Joe Brown
- The List: The AP Mosh Pit's Top 10 Bands
- Web Exclusive: Street Drum Corps perform in the AP office
- The List: Top 5 Most Unrealistic High School Movies
- Web Exclusive: A conversation with United Nations' Geoff Rickly
- From The Editor’s Floor: Fall Forward: AP's Guide To The Rest Of The Year
- From The Editor’s Floor: Underoath
- Web Exclusive: A conversation with Dance Gavin Dance's Matt Mingus
- The List: The 8 Most Baffling Cover Songs We Heard At Warped Tour This Summer
- Web Exclusive: A conversation with Smoking Popes' Josh Caterer
- The List: Top 8 Warped Tour Collaborations of 2k8
- Web Exclusive: A conversation with Finch's Randy Strohmeyer
- Web Exclusive: A conversation with Walls Of Jericho's Candace Kucsulain
- From The Editor’s Floor: Hawthorne Heights
- Web Exclusive: Behind the scenes of We The Kings’ AP photo shoot
- Front Row Center: The Hold Steady/The Loved Ones
- Web Exclusive: A conversation with Misery Signals’ Stuart Ross
- From The Editor’s Floor: Norma Jean
- From The Editor’s Floor: Craig Owens
- From The Editor’s Floor: Anthony Green
- From The Editor''s Floor: Metro Station
- From The Editor''s Floor: Mindless Self Indulgence
- Web Exclusive: A conversation with AFI/The Force’s Hunter Burgan
- From The Editor's Floor: Alkaline Trio
- The Five We Fought Over
- Web Exclusive: A conversation with Bad Religion's Brett Gurewitz
- From The Editor's Floor: Cute Is What We Aim For
- Web Exclusive: A conversation with Cancer Bats' Scott Middleton
- Web Exclusive: A conversation with Angels & Airwaves' Tom DeLonge
- Web Exclusive: A conversation with Tilly And The Wall's Jamie Pressnall
- Web Exclusive: A conversation with Terror's Scott Vogel
- Front Row Center: Andrew W.K.
- My Chemical Romance: Dead To See Another Day
- Web Exclusive: A conversation with Marky Ramone
- Web Exclusive: A conversation with the A.K.A.s' Mike Ski
- Front Row Center: Bomb The Music Industry!
- Web Exclusive: A conversation with Moneen's Kenny Bridges
- From The Editor's Floor: Gabe Saporta of Cobra Starship
- Web Exclusive: On the road with Forever The Sickest Kids
- Web Exclusive: Dear And The Headlights tour diary (part one)
- Web Exclusive: Behind the scenes of the Matches' AP cover shoot
- Web Exclusive: Behind the scenes of the 100 Bands AP cover shoot
- Web Exclusive: Behind the scenes of Every Time I Die's AP cover shoot
- Web Exclusive: Behind the scenes of Chiodos' AP cover shoot
- Web Exclusive: Behind the scenes of My Chemical Romance's AP cover shoot
- Web Exclusive: Behind the scenes of the Almost's AP cover shoot
- Web Exclusive: Behind the scenes of the Starting Line's AP photo shoot
- Web Exclusive: Manchester Orchestra tour diary (part three)
- Web Exclusive: Manchester Orchestra tour diary (part two)
- Web Exclusive: Manchester Orchestra tour diary (part one)
- Web Exclusive: Meg & Dia Tour Diary (part six)
- Web Exclusive: Meg & Dia Tour Diary (part five)
- Web Exclusive: Meg & Dia Tour Diary (part four)
- Front Row Center: The Loved Ones/The Gaslight Anthem
- Web Exclusive: Sherwood Tour Diary (part four)
- Web Exclusive: Meg & Dia Tour Diary (part three)
- Front Row Center: Paul Baribeau/Eric Ayotte/Super Bobby
- Web Exclusive: Sherwood Tour Diary (part three)
- Web Exclusive: Sherwood Tour Diary (parts one and two)
- Web Exclusive: Meg & Dia Tour Diary (part two)
- Front Row Center: Hot Water Music/Lucero/Able Baker Fox
- Web Exclusive: Meg & Dia Tour Diary (part one)
- Front Row Center: Chuck Ragan/Ben Nichols
- Front Row Center: The Swellers/Fireworks
- Front Row Center: Yellowcard in Kuwait
- From The Editor's Floor: Chris Carrabba of Dashboard Confessional
- From The Editor's Floor: Jack's Mannequin
- From The Editor's Floor: Jarrod Gorbel of the Honorary Title
- Front Row Center: Spitalfield
- From The Editor's Floor: Chris Conley of Saves The Day
- From The Editor's Floor: Trevor Reilly of A Wilhelm Scream
- Web Exclusive: Annuals/Manchester Orchestra Tour Diary (part two)
- From The Editor's Floor: Josh Homme of Queens Of The Stone Age
- Web Exclusive: A conversation with Rivers Cuomo
- Front Row Center: The Fest 6 (days one, two and three)
- Web Exclusive: Blessthefall Tour Diary (part five)
- Front Row Center: A Wilhelm Scream/Only Crime
- Web Exclusive: Blessthefall Tour Diary (part four)
- Front Row Center: Bomb The Music Industry!
- Web Exclusive: Blessthefall Tour Diary (part three)
- Web Exclusive: Set Your Goals' Halloween Adventure
- Front Row Center: The Draft/Dead To Me/The Gaslight Anthem
- Web Exclusive: Scary Kids Scaring Kids making the video
- Web Exclusive: Blessthefall Tour Diary (part two)
- Front Row Center: Minus The Bear
- Web Exclusive: Blessthefall Tour Diary (part one)
- Web Exclusive Interview: Evergreen Terrace
- Web Exclusive Interview: Three
- AP web exclusive: More most anticipated albums of 2007
- Other sections...



























