
Music that’s nice to look at but just lays there.
Matt Pond PA - Last LightPosted by Rachel Lux on 16-Jan-08 @ 04:01 PM
[2.5/5]
David Lee Roth once commented that the worst sex is to be had with a model because they're so self-conscious of how they look. Matt Pond PA's Last Light suffers a similar malady. The chamber-pop quintet's seventh full-length luxuriates in aching beauty from cocktail-addled swells ("Taught To Look Away") to jangly shimmer ("Last Light") perched on a pedestal, pretty and distant. There are certainly hooks and some variety, but-despite developing a more rocking attitude since the lineup shuffle that accompanied frontman Matt Pond's move to Brooklyn several years ago-there's very little here to grab the listener. Aside from than the nervy bounce of "People Have A Way" and "The Crush," which suggest a steadfastly more melodic Spoon, the 13 tracks lazily drift through the speakers like fluffy clouds across the sky's blue scrim. Pond's airy croon seems to inhabit a particular timbre and tone without variation, further limiting the music's impact. (ALTITUDE) Chris Parker
Official Website: http://www.altituderecords.com
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- New Found Glory
- Iron & Wine
- Emery
- Thrice
- Greyskul
- Coheed And Cambria
- A Wilhelm Scream
- Devendra Banhart
- Maritime
- The Bled
- The Donnas
- The Fiery Furnaces
- Georgie James
- Les Savy Fav
- New Idea Society
- Stars
- Sunset Rubdown
- Via Audio
- Arch Enemy
- Between The Wars
- Cloak/Dagger
- The Fucking Wrath
- Full Blown Chaos
- Madball
- Ruiner
- Scary Kids Scaring Kids
- Other sections...





























[2.5/5]
David Lee Roth once commented that the worst sex is to be had with a model because they're so self-conscious of how they look. Matt Pond PA's Last Light suffers a similar malady. The chamber-pop quintet's seventh full-length luxuriates in aching beauty from cocktail-addled swells ("Taught To Look Away") to jangly shimmer ("Last Light") perched on a pedestal, pretty and distant. There are certainly hooks and some variety, but-despite developing a more rocking attitude since the lineup shuffle that accompanied frontman Matt Pond's move to Brooklyn several years ago-there's very little here to grab the listener. Aside from than the nervy bounce of "People Have A Way" and "The Crush," which suggest a steadfastly more melodic Spoon, the 13 tracks lazily drift through the speakers like fluffy clouds across the sky's blue scrim. Pond's airy croon seems to inhabit a particular timbre and tone without variation, further limiting the music's impact. (ALTITUDE) Chris Parker
Official Website: 
